Molière l’Opéra Urbain is an innovative musical creation that brings together a variety of talents on stage, from singers to slammers, rappers, dancers, actors and musicians, all in a set and costumes reminiscent of the 17th century.

A century ago, in 1923, the world lost Gustave Eiffel, a visionary engineer whose legacy transcends the decades. Best known for his ‘300-metre tower’ in Paris, Eiffel had already left his mark on the field of metal bridges long before this emblematic project.

As restoration work on the cathedral enters its final phase, the Musée du Louvre is devoting a unique exhibition to the treasury of Notre-Dame de Paris. This treasure, which brings together the objects and priestly vestments necessary for worship, relics and reliquaries, manuscript books and other precious objects donated out of piety, will then move to the cathedral’s neo-Gothic sacristy, built by Jean-Baptiste Lassus and Eugène Viollet-Le-Duc between 1845 and 1850 to house them.
Featuring over 120 works, this exhibition offers a condensed account of the history of this treasure, placing it in the context of its thousand-year history: from its origins in the Middle Ages to its resurrection in the 19th century and its blossoming under Viollet-le-Duc during the Second Empire.

Presented at the Musée d’Orsay in autumn 2023, this will be the first exhibition devoted to the works produced by Vincent Van Gogh (1853-1890) during the last two months of his life, at Auvers-sur-Oise, near Paris. The exhibition is the culmination of years of research into this crucial phase in the artist’s life, and will enable the public to appreciate it in its true dimension.

The first retrospective in France devoted to the American painter Mark Rothko (1903-1970) since the Musée d’Art Moderne de la Ville de Paris in 1999, the exhibition presented at the Fondation from 18 October 2023 brings together some 115 works from major institutional collections, including the National Gallery of Art in Washington, the Tate in London and the Phillips Collection in Washington, as well as major international private collections, including that of the artist’s family.
The exhibition will take place throughout the Foundation, following a chronological itinerary that traces the artist’s career from his first figurative paintings to the abstraction that defines his work today.

To mark the 50th anniversary of Picasso’s death, the Musée du Luxembourg is staging a major exhibition on the story of the extraordinary friendship between two 20th-century icons, Pablo Picasso and Gertrude Stein.
Gertrude Stein (1874-1946), a Jewish American immigrant, writer, poet and aesthete, moved to Paris in 1903, shortly after the arrival of Picasso, then a young artist. Their position as foreigners and their marginality underpinned their membership of the Parisian bohemian scene and their artistic freedom. Their friendship crystallised around their respective work, which was the foundation of Cubism and the pictorial and literary avant-gardes of the twentieth century. Their posterity is immense.
By examining their complicity and inventiveness, the Musée du Luxembourg exhibition will explore a century of art, poetry, music and theatre through the work of such great figures as Henri Matisse, Juan Gris, Marcel Duchamp, Jasper Johns, Andy Warhol, Bruce Nauman, Carl Andre, Joseph Kosuth, Hanne Darboven, Glenn Ligon, John Cage, Bob Wilson, Gary Hill and Philip Glass.

A portrait of the writer, poet and statesman Léopold Sédar Senghor (1909-2001), through his cultural policy following Senegal’s independence. Senghor and the arts. Reinventing the Universal puts into perspective the thoughts and achievements in the cultural sphere of the Senegalese intellectual and statesman, President of Senegal from 1960 to 1980, Léopold Sédar Senghor (1909-2001). A pioneer of Négritude, a political and literary movement initiated with Aimé Césaire, Léon-Gontran Damas, Suzanne Césaire, Jane and Paulette Nardal, Senghor defended the idea of a civilisation of the universal, shaped by the “rendezvous of giving and receiving”. Under this metaphor of exchange, of “cultural crossbreeding”, he expressed the hope of uniting traditions and initiating “the dialogue of cultures”. By reinventing and de-Westernising the notion of the universal, he affirmed Africa’s role in writing its own history. The exhibition looks at Senegal’s cultural policy and diplomacy in the aftermath of independence, its major achievements in the visual and performing arts, but also its limitations. Senghor’s thought has not left the post-independence generations indifferent; it has been widely discussed, criticised and commented on in successive re-readings. Place: Quai Branly Jacques Chirac Museum Date: until 19 November 2023. Address : 37 Quai Jacques Chirac 75007 Paris Timing: Tuesday to Sunday, 10.30am to 7pm. Fare: €12 Transport: RER C station Pont de l’Alma Bus 42 to Tour Eiffel station. Bus 63 – 80 – 92 Bosquet Rapp station